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課程名稱 |
音樂學理論與方法二
PRO-SEMINAR ON MUSICOLOGY (II) |
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開課學期 |
97-2 |
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授課對象 |
文學院 音樂學研究所 |
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授課教師 |
陳人彥 |
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課號 |
Music7005 |
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課程識別碼 |
144EM0110 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
必修 |
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上課時間 |
星期一6,7,8(13:20~16:20) |
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上課地點 |
樂學館105 |
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備註 |
本課程以英語授課。與蔡振家合開
限本系所學生(含輔系、雙修生)
總人數上限：8人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/972musicology |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course offers an introduction to some of the fundamental principles and methodologies of research in historical musicology. Among the topics covered are editing, historiography, and the "new" musicology. |
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課程目標 |
to promote critical awareness of central issues and concerns of historical musicology; to develop skill in important methodologies of the field |
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課程要求 |
Class meetings will focus on discussions of readings. A short response paper of approximately one page on the assigned reading must be submitted each week. A final paper of approximately five pages, critically discussing the application of a major issue in this course to your present or future research, will be due at the end of the half-semester.
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預期每週課後學習時數 |
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Office Hours |
每週四 13:00~15:00 |
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指定閱讀 |
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參考書目 |
Adler, Guido. "The Scope, Method, and Aim of Musicology."
DeNora, Tia. Beethoven and the Construction of Genius: Musical Politics in
Vienna, 1792-1803.
Greenblatt, Stephen. "The Wound in the Wall."
Grier, James. The Critical Editing of Music.
Heartz, Daniel. "An Iconography of the Dances in the Ballroom Scene of Don
Giovanni."
Kallberg, Jeffrey. "The Harmony at the Tea Table: Gender and Ideology in the
Piano Nocturne." |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
class participation |
70% |
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2. |
final paper |
30% |
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週次 |
日期 |
單元主題 |
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Week 1 |
2/16 |
Introduction |
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Week 2 |
2/23 |
Historical Foundations of the Field of Musicology |
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Week 3 |
3/02 |
New Historicism, Cultural Interpretation |
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Week 4 |
3/09 |
Music as Cultural History |
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Week 5 |
3/16 |
Gender, Sexuality |
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Week 6 |
3/23 |
Historiography, Canon |
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Week 7 |
3/30 |
No class (I’m in Oxford, England) |
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Week 8 |
4/06 |
Editing, Transcription |
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Week 9 |
4/13 |
Conclusion |
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Week 11 |
4/27 |
Music acoustics I: Production and perception of musical sounds |
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Week 12 |
5/04 |
Music acoustics II: Timbre analysis & recent trends |
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Week 13 |
5/11 |
Music, language & evolution |
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Week 14 |
5/18 |
Scope and methods of music psychology |
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Week 15 |
5/25 |
Film Music Cognition |
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Week 16 |
6/01 |
Chinese lyric aesthetics
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Week 17 |
6/08 |
The structure and history of systematic musicology |
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Week 18 |
06/15 |
Application of Schenkerian analysis to Xiqu (戲曲) music |
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